Sayısız diğer iyi eğitimli Alman çocukları gibi, Friedrich Nietzsche de piyanoyu çocukken aldı ve Beethoven ve Schumann dünyasına daldı. Ancak, çoğu zamandan farklı olarak, daha sonra felsefi yazılarını ayırt edebilecek tek bir düşünceye sahip bir müzikle müzik peşinde koşuyordu. Genç yaşlarında fugular, sonatlar ve fanteziler ile bir Mass, bir Miserere, hatta bir Noel Oratorio gibi daha iddialı eserler besteledi: En kötü şöhreti olan bir tanrıdan gelen yüce bir ironi, “Tanrı öldü”. Onu öldürdük.Basel'deki üniversite çalışmaları hem Hıristiyanlığı için para ödedi, hem de kompozisyona döndüğünde, şimdi kendi müziğinin en bilinen parçaları olan şarkıları yazdı ve birkaç kayıt aldı. 1876'da Dostluk'tan Dostluğa, 24 yaşında olgunlaştıktan sonra, birkaç yıl boyunca müzik yazmayı bıraktı, ama hayata döndü ve Beethoven sonatlarını bir zamanlar sifilizlerin yıkımından etkilenen yürekle oynayabilirdi.
Besteci: Friedrich Nietsche
Sanatçı :Jeroen van Veen (piano)
Like countless other well-educated German lads, Friedrich Nietzsche took up the piano as a child, and immersed himself in the world of Beethoven and Schumann. But unlike most of them, he pursued music with a single-minded devotion which would later distinguish his philosophical writings. During his teenage years he composed fugues, sonatas and fantasies, as well as more ambitious works such as a Mass, a Miserere, even a Christmas Oratorio: a sublime irony coming from one whose most infamous pronouncement would be that ‘God is dead. We have killed him.’
University studies in Basel put paid both to his Christianity, but when he returned to composition he wrote songs which are now the best-known part of his own music, and have received several recordings. Having composed the Hymn to Friendship in 1874, at the ripe age of 24, he gave up writing music for several years but returned to itlater in life, and he could still play Beethoven sonatas by heart once afflicted by the ravages of syphilis.
Composer : Friedrich Nietsche
Artist :Jeroen van Veen piano
Besteci: Friedrich Nietsche
Sanatçı :Jeroen van Veen (piano)
Like countless other well-educated German lads, Friedrich Nietzsche took up the piano as a child, and immersed himself in the world of Beethoven and Schumann. But unlike most of them, he pursued music with a single-minded devotion which would later distinguish his philosophical writings. During his teenage years he composed fugues, sonatas and fantasies, as well as more ambitious works such as a Mass, a Miserere, even a Christmas Oratorio: a sublime irony coming from one whose most infamous pronouncement would be that ‘God is dead. We have killed him.’
University studies in Basel put paid both to his Christianity, but when he returned to composition he wrote songs which are now the best-known part of his own music, and have received several recordings. Having composed the Hymn to Friendship in 1874, at the ripe age of 24, he gave up writing music for several years but returned to itlater in life, and he could still play Beethoven sonatas by heart once afflicted by the ravages of syphilis.
Composer : Friedrich Nietsche
Artist :Jeroen van Veen piano
